Mike Hoolboom is a Canadian artist working in film and video. He has made over fifty films and videos, though most have been withdrawn from circulation, approximately a dozen remain on view. His work has appeared in over four hundred festivals, garnering thirty awards. He has been granted the Tom Berner Award for community service and two lifetime achievement awards, the first from the city of Toronto, and the second from the Mediawave Festival in Hungary.
He has enjoyed retrospectives of his work at the Images Festival (Toronto), Visions du Reel (Switzerland), Xenix (Switzerland), Cork International Festival (Ireland), Cinema de Balie (Amsterdam), Mediawave Festival (Hungary), Impakt Festival (Holland), Vila do Conde Festival (Portugal), Jihlava Documentary Festival (Czech Republic), Stuttgarter Filmwinter (Germany), Musée des Beaux-Arts de Caen (France), Sixpack Film (Vienna), the Buenos Aires International Festival (Argentina), Pacific Cinematheque (Canada) and A Million Different Loves Festival in Poland.
He is a founding member of the Pleasure Dome screening collective and has worked as the artistic director of the Images Festival and as the experimental film co-ordinator at Canadian Filmmakers Distribution Centre.
Mike Hoolboom has published a pair of interview books with Canadian media artists, Practical Dreamers: Conversations with Media Artists (Coach House Press, 2008) and Inside the Pleasure Dome: Fringe Film in Canada (Coach House Press, 2001). He has edited or co-edited books on Emily Vey Duke/Cooper Battersby, Frank Cole, Barbara Sternberg and Philip Hoffman, in addition to publishing electronic books on Deirdre Logue, Dani Leventhal, Al Razutis, Mike Cartmell, Steve Reinke, American Fringe Movies and the Documentary. In 1998 he authored Plague Years (YYZ Books) a tongue-in-chic autobiography. His first novel The Steve Machine was published by Coach House Press in 2008. He has published more than one hundred articles on fringe media which have appeared in magazines and catalogues around the world.
Since 2004 he has been working on Fringe Online (www.fringeonline.ca), a web project which makes available the archives of 40 Canadian media artists. This ongoing project currently consists of hundreds of pages of transcripts, reviews, interviews and scripts, and remains the largest publishing project in the Canadian fringe media sector.